The Wildscreen Festival is the world’s leading international festival celebrating and advancing storytelling about the natural world. Held every two years, the Wildscreen Festival brings together the wildlife film, tv and photography community to transform the craft of natural world storytelling across platforms and across audiences.

The Wildscreen Festival 2018 will take place 15-19 October 2018 in Bristol, UK. Further information is available at www.wildscreen.org and delegate tickets are on sale now from Eventbrite.

Please note that the programme is being updated frequently as guest availability changes. Wildscreen reserves the right to make such updates to the programme and timings, and will endeavour to make those changes as quickly as possible.

Delegates holding a day or week pass do not need to register to attend specific events with the exception of the Panda Awards Ceremony (additional purchase required) and film screenings (no additional purchase required). Reservation details can be found in the description of each individual screening.

To help you manage your time at the Wildscreen Festival, you can sign up for a Sched account and login to save events to your personal calendar. Note that doing so does not guarantee entry to events as seating is on a first-come-first-served basis at the venue door. We advise that you arrive in plenty of time before a session starts.

The programme includes both industry events, which are included in the price of a delegate day or week pass, and public events that anyone is welcome to attend, subject to booking procedures.  
avatar for James Reed

James Reed

Keo Films and Underdog Films
James Reed wrote and directed Rise of The Warrior Apes, produced with Keo Films for DNI, which was awarded Best Animal Behavior at Jackson Hole, Best Natural History Film at New York and is nominated for five Panda awards at Wildscreen. Previously James directed the independently made film Jago: A Life Underwater, winner of the Panda award for Cinematography, Best Documentary at RTS and Best in Festival at Jackson Hole. He has finally made his money back on Jago after it was picked up by the BBC, Smithsonian, ARTE and Netflix. James currently has a range of projects in development from natural history and adventure to sports and drama.

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